1/28/2024 0 Comments Broken age sequel![]() She doesn't struggle to adjust to the idea of actually having a future and needing to decide what to do with her life now she's not going to be sacrificed, nor do we see the relationship between her and her family strained after they basically sent her to her death. Likewise Vella pretty much just shrugs when she finds herself in a high-tech battleship and says "let's just keep smashing things like I was before". Seeing Shay adjust to the outside world could have been interesting, but he doesn't really show any wonder at the outside world or trouble getting used to it, so all those revelations fall flat. I also don't really trust the writers to show us anything interesting in a sequel. Way I see it the writers aren't deliberately leaving a bunch of sequel hooks, they just failed to provide a full, satisfying ending that tied everything up properly. They show a ton of epilogue scenes in stills during the credits implying everything pretty much sorted itself out (however implausible that may be, seeing as there's nothing to stop the Thrush bombing to bits everyone who tries to use the bridge), and that a year later everyone's just celebrating like a bunch of best buds in spit of all the past human sacrifices. For those who make the trek, however, the subsequent unraveling is entirely of a piece with the bonding, and there’s a quiet integrity to it that’s totally in keeping with the film’s defiantly low-key ambition.Ehh, the story's pretty much over I'd say. ![]() It’s a long time to wait for such a dramatic catalyst, and it comes so late that many viewers may not make it that far. It’s not even much commented upon when Pietro gets wanderlust and trades the artless rustic simplicity of the Italian alps for the artless rustic simplicity of the Himalayas, where he finally finds inspiration, becomes a writer of some repute, and learns of the “eight mountains,” a folkloric word salad that, to paraphrase profusely, pits the experience of the traveler against the wisdom of the man who never leaves his home.īruno, in the meantime, is struggling, and for the first time there is a crack in their now decades-long relationship. There’s little sense of conflict between man and nature, and no sense of it at all between Pietro and Bruno for what seems like an age, even after Bruno moves in on Pietro’s girlfriend. The mountain setting is breathtaking, but the spectacular views of vertiginous heights and treacherous glaciers promise a tension that never materializes. Both men are now bushily bearded, and their beards will do a lot of heavy lifting over the next two hours as the subtext of boys, men and their fathers becomes the dominant discourse. To mourn his father, Pietro returns to the family’s holiday home, where he is reunited with Bruno (Alessandro Borghi) and discovers the secret bond that has formed between his father and the country boy in his absence. Pietro, now played by Luca Marinelli, moves back to the city, where he falls out with his family and alienates himself from his father, a paradoxical creature whose hidden extremes begin to emerge after his untimely death. This intro, though, is simply the foundation of a strangely bloodless buddy movie that evokes the spirit of TV’s Belle & Sebastian with its scenery and homilies. ![]() In a fit of jealousy, Bruno’s father takes the boy away, and the two won’t see each other for another decade or so. Trying to do right by Bruno, whose only foreseeable future is in his family’s struggling cheese business, Pietro’s parents offer to take him home and put him through school. Their summer together is idyllic but their friendship is ill-fated. The only other boy in the area is Bruno, almost exactly the same age and living with his aunt and uncle while his father is away laboring. The first 35 minutes would make an interesting short by itself: 11-year-old Pietro is on holiday with his mother and father in the Italian countryside, taking a break from their claustrophobic life in the city. For newcomers, though, the script - co-written with van Groeningen’s co-director Charlotte Vandermeesch - is disappointingly unadventurous, padded with superfluous voice-over and montage. Admirers of the book will not be disappointed, since the film captures perfectly its charming, holiday-read essence. Regardless of festival play, however, it comes with a ready-made audience, being adapted from the 2016 bestseller by Paolo Cognetti. FilmNation's Infrared To Launch Sales For Dave Bautista Bouncer Action Thriller 'Cooler' From Drew PearceĪ French-Italian-Belgian co-production, Eight Mountains (Le Otto Montagne) might have been placed more sensitively at Venice, where it would arguably have faced less scrutiny.
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